“They said over the phone to question this story where women are not present”: the role of women musicians in Rio de Janeiro’s samba in early twentieth century
This research investigates the samba in Pequena África do Rio de Janeiro during the first decades of the 20th century in order to analyze the role of women in the process its formation. This is a musical world where women were devalued, obscured by a historical construct created by the upper classes...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2013 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Per Musi |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/39639 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/permusi/article/view/39639 |
| Access Level: | acceso abierto |
| Palabra clave: | Black women in samba History of samba Tias Baianas Gender relations in Brazilian music Mulheres negras no samba História do samba Relações de gênero na música Mujeres negras en la samba Historia de la samba Relaciones de género en la música |
| Sumario: | This research investigates the samba in Pequena África do Rio de Janeiro during the first decades of the 20th century in order to analyze the role of women in the process its formation. This is a musical world where women were devalued, obscured by a historical construct created by the upper classes, focused on the big men, on the major events in the supposedly more important field of public life and the written tradition, with no interest in the domestic face, in the oral tradition, and in the knowledge of women. |
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