QUESTIONS FOR A DADÁ THEATER
This paper aims to raise questions about the theater developed in Dadá (the Dadá Theater), one of the artistic facets of the movement that integrated the 20th Century European Avant-Garde. We intend to cross the notions of event (term withdrawn from the Northamerican translation of “L’être et l’evén...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Cena (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/61504 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/cena/article/view/61504 |
| Access Level: | acceso abierto |
| Palabra clave: | Dadá. Dadaism. Compared theater. Philosophy theater. Dadá. Dadaísmo. Teatro comparado. Filosofia do teatro. |
| Sumario: | This paper aims to raise questions about the theater developed in Dadá (the Dadá Theater), one of the artistic facets of the movement that integrated the 20th Century European Avant-Garde. We intend to cross the notions of event (term withdrawn from the Northamerican translation of “L’être et l’evénèment” of Alain Badiou) of Jorge Dubatti and Alain Badiou, proposing a point of view about a possible dynamics happened inside of Dadá’s manifestations, among other points to be touched in a complementary way to our line of thought. |
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