Lúcio Flávio, o passageiro da agonia, from Hector Babenco
The portraiture of the journalist in brazilian movies of the' 1960s is different from that of newspaper movies of the same period. In the films Boca de Ouro(1962), O Desafio(1965) eTerra em transe(1967) which discard melodrama as a narrative technique, the journalist is neither a hero or a vila...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2013 |
| País: | Brasil |
| Institución: | Universidade Federal de Goiás (UFG) |
| Repositorio: | Comunicação & Informação (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.ufg.br:article/24401 |
| Acceso en línea: | https://revistas.ufg.br/ci/article/view/24401 |
| Access Level: | acceso abierto |
| Palabra clave: | Cinema and journalism. newspaper movies. journalist. brazilian movie. Cinema e jornalismo. Filmes de jornalista. Jornalista. Filme brasileiro. |
| Sumario: | The portraiture of the journalist in brazilian movies of the' 1960s is different from that of newspaper movies of the same period. In the films Boca de Ouro(1962), O Desafio(1965) eTerra em transe(1967) which discard melodrama as a narrative technique, the journalist is neither a hero or a vilain. From the 1970s on, this approach extinguishes and brazilian newspaper movies became more similar to the american model. Lúcio Flávio, o passageiro da agonia is an exemple of a new way of portraying the journalist in the brazilian cinema. |
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