Illustration and photoliterary complementarity: the case of Nadja, by André Breton
This article proposes to describe and to analyze the photoliterary relations present in Nadja (1928), André Breton’s first prose narrative, as well as toanalyze the effects of the senses generated in the whole of the work. In our discussion, we will base ourselves on the basic concepts of Photoliter...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | letrônica |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/33338 |
| Acceso en línea: | https://revistaseletronicas.pucrs.br/letronica/article/view/33338 |
| Access Level: | acceso abierto |
| Palabra clave: | Literature. Photography. Illustration in complementarity. Nadja. Literatura Fotografia Ilustração em complementariedade Nadja |
| Sumario: | This article proposes to describe and to analyze the photoliterary relations present in Nadja (1928), André Breton’s first prose narrative, as well as toanalyze the effects of the senses generated in the whole of the work. In our discussion, we will base ourselves on the basic concepts of Photoliterary (MONTIER, 2008 and 2015) and we will analyze this book, with emphasis on some textual excerpts and on some photographic images inserted inBreton’s work. From this perspective, we will also reflect on the connotative potential of photography and, finally, we will intend - from such investigations - to understand the interactions and the interferences established between the text and the image, in order to defend the existence in this work of a form of illustration in complementarity. |
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