The Nouvelle Vague from the point of view of the newspaper O Metropolitano
This article analyses the movie reviews of O Metropolitano, published by the Metropolitan Students Union of Rio de Janeiro, concerning the French cinematographic movement Nouvelle Vague in the light of the newspaper’s political and ideological positions. We focuse on the critics by Carlos...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2013 |
| País: | Brasil |
| Recursos: | Fundação Getulio Vargas (FGV) |
| Repositorio: | Estudos Históricos (Rio de Janeiro) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.periodicos.fgv.br:article/7175 |
| Acesso em linha: | https://periodicos.fgv.br/reh/article/view/7175 |
| Access Level: | acceso abierto |
| Palavra-chave: | O Metropolitano Nouvelle Vague film criticism crítica de cinema |
| Resumo: | This article analyses the movie reviews of O Metropolitano, published by the Metropolitan Students Union of Rio de Janeiro, concerning the French cinematographic movement Nouvelle Vague in the light of the newspaper’s political and ideological positions. We focuse on the critics by Carlos Diegues, David Neves and Sérgio Augusto in the period going from 1959, when the first news about the Nouvelle Vague began to emerge in Brazil, until 1962, when Cinema Novo was established as a movement. |
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