O homem e o gênio no Amadeus de Peter Shaffer
This paper aims at introducing the complex interpersonal relationship between the characters Mozart and Salieri in Peter Shaffer's Amadeus (1979), while establishing their relative positions as “man” and “genius”in the plot. It also offers a brief discussion of the characters's quest for s...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 1999 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Repositório Institucional da UFRGS |
| Idioma: | portugués |
| OAI Identifier: | oai:www.lume.ufrgs.br:10183/247929 |
| Acceso en línea: | http://hdl.handle.net/10183/247929 |
| Access Level: | acceso abierto |
| Palabra clave: | Literatura inglesa : Teatro : Crítica e interpretação Shaffer, Peter, 1926- : Teatro : Crítica e interpretação Shaffer, Peter, 1926-. Amadeus : Crítica e interpretação |
| Sumario: | This paper aims at introducing the complex interpersonal relationship between the characters Mozart and Salieri in Peter Shaffer's Amadeus (1979), while establishing their relative positions as “man” and “genius”in the plot. It also offers a brief discussion of the characters's quest for some larger truth, and of the father-son conflict existing in the play — two recurrrent themes in the author's earlier works, namely The Royal Hunt of the Sun (1964) and Equus (1973). |
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