Deaf community: a humor experience
The motivation of the experience of being deaf and the crossing of the community experiencesand the knowledge of the academic world take place in this essay as a way to bring to the readera vision of what is this difference of being deaf in a hearing society and of how our communityis constituted th...
| Autor: | |
|---|---|
| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Brasil |
| Recursos: | Universidade Federal de Goiás (UFG) |
| Repositorio: | Revista Sinalizar |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.ufg.br:article/60217 |
| Acesso em linha: | https://revistas.ufg.br/revsinal/article/view/60217 |
| Access Level: | acceso abierto |
| Palavra-chave: | Deafness Sign language Deaf community Deaf culture Surdez Língua de sinais Comunidade surda Cultura surda |
| Resumo: | The motivation of the experience of being deaf and the crossing of the community experiencesand the knowledge of the academic world take place in this essay as a way to bring to the readera vision of what is this difference of being deaf in a hearing society and of how our communityis constituted through a very strong bond - our sign language, which crosses borders and findsin humor literature one of the aspects that favors the constitution of the linguistic and culturalidentity of the deaf. I try to discuss the concepts of community through the theoretical lens ofBauman and Miranda. About humor through the theoretical lenses of Bergson, Lévy, Justo andGarbin, adding to this text the deaf cultural discourses with the theoretical support of Lopes andVeiga-Neto, Skliar and Possenti, among others. Nowadays, technologies favor the recording ofdeaf productions by building tools for cultural development in our native language, providingfor current and future deaf generations linguistic, identity, cultural and communitydevelopment, fundamental factors for a citizen's life. |
|---|