'Esse cabelo em Luanda, Lisboa, Paraíso': Djaimilia Pereira de Almeida e a experiência do desenraizamento na tentativa de integração
The article aims to compare how the novels Esse cabelo: a tragicomédia de um cabelo crespo que cruza fronteiras (This hair: the tragicomedy of curly hair that crosses borders) and Luanda, Lisboa, Paraíso (Luanda, Lisbon, Paradise), by Djaimilia Pereira de Almeida, discuss the experience of racial pr...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Real Gabinete Português de Leitura (RGPL) |
| Repositorio: | Convergência Lusíada (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.convergencia.emnuvens.com.br:article/375 |
| Acceso en línea: | https://www.convergencialusiada.com.br/rcl/article/view/375 |
| Access Level: | acceso abierto |
| Palabra clave: | self-fiction fiction contemporary literature Djaimilia Pereira de Almeida autoficção ficção literatura contemporânea |
| Sumario: | The article aims to compare how the novels Esse cabelo: a tragicomédia de um cabelo crespo que cruza fronteiras (This hair: the tragicomedy of curly hair that crosses borders) and Luanda, Lisboa, Paraíso (Luanda, Lisbon, Paradise), by Djaimilia Pereira de Almeida, discuss the experience of racial prejudice in Portugal in the 1980s, after the independence of Angola and the end of the Salazar dictatorship. Through the autofictional writing, her debut book, and the fictional one of her second publication, it will be observed how the intertextuality performed by the author, between her two books and with other works, took place in the theme of the losses of utopias, which will culminate in the review of political speeches that have been processed in Portugal and Africa. |
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