Processos criativos e imaginação: o trabalho de Bavcar como metáfora sobre a condição dialógica da psique
This article discusses the aesthetic, dialogical and necessarily semiotic dimensions of human experience and its place in current psychology. For the intended discussion, the photographs and reflections of the blind artist and philosopher Evgen Bavcar are taken as a metaphor/allegory to question the...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Brasil |
| Institución: | Universidade Estadual de Campinas (UNICAMP) |
| Repositorio: | Tecnologias, Sociedade e Conhecimento |
| Idioma: | portugués |
| OAI Identifier: | oai:inpec.econtents.bc.unicamp.br:article/14506 |
| Acceso en línea: | https://econtents.bc.unicamp.br/inpec/index.php/tsc/article/view/14506 |
| Access Level: | acceso abierto |
| Palabra clave: | Bavcar Fotografia Estética Imaginação e criatividade Photography Aesthetics Imagination and creativity |
| Sumario: | This article discusses the aesthetic, dialogical and necessarily semiotic dimensions of human experience and its place in current psychology. For the intended discussion, the photographs and reflections of the blind artist and philosopher Evgen Bavcar are taken as a metaphor/allegory to question the Cartesian paradigm, in its ontological split between subject-object resulting in the artificializing conceptualization, objectivist and visocentric version of the psyche. In this sense, the imaginative and creative processes are retakenas fundamental psychological functions towards the resumption of the aesthetic and dialogical dimension of human existence. |
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