PHOTOGRAPHIC NARRATIVES IN THE POETRY OF MARÍLIA GARCIA
We present in this work a critical reading of the poem “Parque das ruínas”, by the Brazilian poet Marília Garcia, published in the homonymous book. The writer places her text on the threshold between poem, diary and essay, thus addressing the issue of photography as a means of recording capable of n...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal do Tocantins (UFT) |
| Repositorio: | EntreLetras |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs2.ufnt.acessoacademico.com.br:article/14267 |
| Acceso en línea: | https://periodicos.ufnt.edu.br/index.php/entreletras/article/view/14267 |
| Access Level: | acceso abierto |
| Palabra clave: | Marília Garcia; Poesia contemporânea; Fotografia. Narrativa fotográfica. Marília Garcia Contemporary poetry Photography Photography narrative |
| Sumario: | We present in this work a critical reading of the poem “Parque das ruínas”, by the Brazilian poet Marília Garcia, published in the homonymous book. The writer places her text on the threshold between poem, diary and essay, thus addressing the issue of photography as a means of recording capable of narrating events that can go beyond the narrative of the word, but without putting one form over another. We have poetry and criticism attached to the same narratological measure. For purposes of analysis, we will resort to the studies of Martelo (2012), on poetry and image; Rezende (2013), about contemporary poetry; Ludmer (2007), on post-autonomous literature; among others. |
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