Jornalismo em quadrinhos: a narrativa na reportagem “Choqueyapu, un río enfermo que nos alimenta”

This research is about comics journalism, its structure, construction, elements and narrative possibilities. Therefore, the objective of this work is to analyze the narrative of the comic book report “Choqueyapu, Un Río Enfermo Que Alimenta”, also having the intention to debate the constituent eleme...

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Detalles Bibliográficos
Autor: Cardoso, Larissa da Rosa Rabelo
Tipo de recurso: tesis de maestría
Estado:Versión publicada
Fecha de publicación:2022
País:Brasil
Institución:Universidade Federal de Santa Maria (UFSM)
Repositorio:Manancial - Repositório Digital da UFSM
Idioma:portugués
OAI Identifier:oai:repositorio.ufsm.br:1/27626
Acceso en línea:http://repositorio.ufsm.br/handle/1/27626
Access Level:acceso abierto
Palabra clave:Jornalismo em quadrinhos
Narrativa
Reportagem
História em quadrinhos
Comics journalism
Narrative
Reporting
Comics
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
Descripción
Sumario:This research is about comics journalism, its structure, construction, elements and narrative possibilities. Therefore, the objective of this work is to analyze the narrative of the comic book report “Choqueyapu, Un Río Enfermo Que Alimenta”, also having the intention to debate the constituent elements of the narrative structure of comics, elaborate a methodological procedure to analyze this type of narrative and understand the narrative possibilities in comic book journalism. The comic book article chosen as an empirical object is published on a digital platform and has multimedia elements, is of Bolivian origin and deals with the socio-environmental theme, reporting the contamination of the Choqueyapu River, located in Bolivia. Thus, are presented in the dissertation concepts and reflections about narrative, journalistic narrative, historical trajectory and contextualization of comics, narrative structure of comics, comics journalism and Bolivian socio-environmental context. The methodological approach was based on the relation of Motta's (2013) point of view about narrative in his critical analysis of narrative, with theorists who address the specificities of the structure of comics, such as Eisner (1995), Groensteen (2015) and Postema (2018). Thereby, to analyze the narrative of the comic report, the seven narrative movements proposed by Motta (2013) were considered in the methodological procedures of the dissertation, the specificities of the narrative structure of the comics by authors in the area, and the ordering of discussion of frames indicated by Postema (2018). As a result, it was understood how the object narrative takes place, in addition to understanding the narrative possibilities of comic journalism, promoting the discussion of new formats and narrative approaches in contemporary journalism.