Microfascism in Argentinean Rock. An original enunciation in El salmón, by Andrés Calamaro
Argentinean rock has, in some of its forms and from its origins, a discourse that can be considered as politically dissenting and which identifies elements of political superstructure as the target of its claims. In this paper, we analyze the presence of a contradictory enunciator in some of the son...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2014 |
| País: | Brasil |
| Recursos: | Universidade de São Paulo (USP) |
| Repositório: | Caracol (São Paulo. Online) |
| Idioma: | espanhol |
| OAI Identifier: | oai:revistas.usp.br:article/98958 |
| Acesso em linha: | https://www.revistas.usp.br/caracol/article/view/98958 |
| Access Level: | Acceso aberto |
| Palavra-chave: | micropolítica rock argentino disidencia enunciador micropolitics Argentinean Rock musical dissent enunciator |
| Resumo: | Argentinean rock has, in some of its forms and from its origins, a discourse that can be considered as politically dissenting and which identifies elements of political superstructure as the target of its claims. In this paper, we analyze the presence of a contradictory enunciator in some of the songs of El Salmón [2000] album, by the Argentinean composer and musician Andrés Calamaro. We conclude that Calamaro introduces, from the enunciation, an original dissident vocality because he includes micropolitics as a key dimension for macropolitics. |
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