The samba-bossa-MPB lineage: on the construction of a discourse of Brazilian popular music tradition
This paper aims at presenting a study on the construction of discourses surrounding urban popular music in Brazil, from the formative moment with its first historiographical texts to the proposition of the “linha evolutiva” and the institutionalization of MPB (a segment of the Brazilian popular musi...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Per Musi |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/39695 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/permusi/article/view/39695 |
| Access Level: | acceso abierto |
| Palabra clave: | Historiography of popular music History of Brazilian music Samba and Brazilian MPB Historiografia da música popular História da música brasileira Samba e MPB Historiografía de la música popular Historia de la música brasileña Samba y MPB |
| Sumario: | This paper aims at presenting a study on the construction of discourses surrounding urban popular music in Brazil, from the formative moment with its first historiographical texts to the proposition of the “linha evolutiva” and the institutionalization of MPB (a segment of the Brazilian popular music). During this period, ranging from the 1930 to the 1960 decades, a lineage was established in the Brazilian popular music that had the samba from Rio de Janeiro as its central axis, around which a sociocultural system and a historical-sociological thought was constructed. The proposal of this lineage as the aforementioned axis of the Brazilian popular music tradition was a dominant idea about this kind of music until the 1980’s. |
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