Da legitimidade de textos poéticos musicados como fonte para o estudo da prosódia de tempos passados do português: O exemplo das cantigas medievais galego-portuguesas
This work shows how information about phonological phenomena such as syllable boundaries, diphthongization, vocalic elision and primary and secondary stress positioning can be extracted from the relation between poetic and phonetic syllables, taking as an example the music and the lyrics of one Mart...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | Brasil |
| Institución: | Universidade Estadual Paulista (UNESP) |
| Repositorio: | Repositório Institucional da UNESP |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.unesp.br:11449/114202 |
| Acceso en línea: | http://dx.doi.org/10.1590/0102-445023096857107343 http://hdl.handle.net/11449/114202 |
| Access Level: | acceso abierto |
| Palabra clave: | ritmo poético ritmo linguístico ritmo musical fonologia poetic rhythm linguistic rhythm musical rhythm phonology |
| Sumario: | This work shows how information about phonological phenomena such as syllable boundaries, diphthongization, vocalic elision and primary and secondary stress positioning can be extracted from the relation between poetic and phonetic syllables, taking as an example the music and the lyrics of one Martim Codax' cantiga de amigo. |
|---|