Portfólio expandido: (performance) agah precária (afetada)
This expanded portfolio sought to understand the performances created by me as someone who escapes the truths of a heterocentric world that inscribes bodies in biological determinations (BUTLER, 1990). Performance art was the method used in this research, as it can trigger affections between the sin...
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| Tipo de recurso: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Norte (UFRN) |
| Repositorio: | Repositório Institucional da UFRN |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufrn.br:123456789/29223 |
| Acceso en línea: | https://repositorio.ufrn.br/jspui/handle/123456789/29223 |
| Access Level: | acceso abierto |
| Palabra clave: | Performance arte Precariedade Afeto Portfólio expandido Agah precária CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
| Sumario: | This expanded portfolio sought to understand the performances created by me as someone who escapes the truths of a heterocentric world that inscribes bodies in biological determinations (BUTLER, 1990). Performance art was the method used in this research, as it can trigger affections between the singular and the plural and be able to promote crises in the affective circuits (SAFATLE, 2016) already established in society, albeit temporarily. A critical issue in this research was to expose the confluence between art and academic writing. We also face the problem of authorship in the production of Agah Precária when the performer writes about his presence and navigates the identities of other artists looking for practices that delve into subjective poetics. This research concludes that performances can be designed. |
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