Poetry’s uncertain lens: Herberto Helder e Fernando Lemos
Herberto Helder’s work contributes to think about the relations between poetry and other arts, such as photography and cinema. This article explores a possible way of these connections based on the poem “Retratíssimo ou narração de um homem depois de maio”, extending the reading of Helder’s text to...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Recursos: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | Letras de Hoje (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/33729 |
| Acesso em linha: | https://revistaseletronicas.pucrs.br/fale/article/view/33729 |
| Access Level: | acceso abierto |
| Palavra-chave: | Poetry. Photography. Self-portrait. Herberto Helder. Fernando Lemos Poesía. Fotografía. Autorretrato. Herberto Helder. Fernando Lemos. Poesia Fotografia Autorretrato Herberto Helder Fernando Lemos. |
| Resumo: | Herberto Helder’s work contributes to think about the relations between poetry and other arts, such as photography and cinema. This article explores a possible way of these connections based on the poem “Retratíssimo ou narração de um homem depois de maio”, extending the reading of Helder’s text to a photographic work, the self-portrait “Eu poeta” by Fernando Lemos. Considering that Helder presents a “Retratoblíquo” in which he includes the expression “Julgo ser eu”, advocating the figurative uncertainty of the poem, this paper proposes an amplification of the obliquity of the poetic self-portrait to show that the self-portraying ambiguity may suggest the crossing of different artistic objects in the eyes of the reader |
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