The popular culture x the elite culture in the work "La tia julia y el escribidor" by Mario Vargas Llosa
The culture of a nation is seen in different ways. Popular culture encompasses much of the population of a country, now the Internet, on television, on the radio, sometimes the printed media, causing people to identify with the simple and the current. However, with less amplitude, the elite culture...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Brasil |
| Institución: | Universidade Estadual do Oeste do Paraná (UNIOESTE) |
| Repositorio: | Travessias (Cascavel. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.e-revista.unioeste.br:article/14257 |
| Acceso en línea: | https://e-revista.unioeste.br/index.php/travessias/article/view/14257 |
| Access Level: | acceso abierto |
| Palabra clave: | Culture Latin American literature Mario Vargas Llosa Images. Cultura literatura latino-americana mario vargas llosa imagens. |
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The popular culture x the elite culture in the work "La tia julia y el escribidor" by Mario Vargas Llosa LA CULTURA POPULAR X LA CULTURA ELITE EN LA OBRA“LA TÍA JULIA Y EL ESCRIBIDOR” DE MARIO VARGAS LLOSA. A cultura popular x a cultura elite na obra “La tia julia y el escribidor” de Mario Vargas Llosa |
| title |
The popular culture x the elite culture in the work "La tia julia y el escribidor" by Mario Vargas Llosa |
| spellingShingle |
The popular culture x the elite culture in the work "La tia julia y el escribidor" by Mario Vargas Llosa Costa, Gustavo Culture Latin American literature Mario Vargas Llosa Images. Cultura literatura latino-americana mario vargas llosa imagens. |
| title_short |
The popular culture x the elite culture in the work "La tia julia y el escribidor" by Mario Vargas Llosa |
| title_full |
The popular culture x the elite culture in the work "La tia julia y el escribidor" by Mario Vargas Llosa |
| title_fullStr |
The popular culture x the elite culture in the work "La tia julia y el escribidor" by Mario Vargas Llosa |
| title_full_unstemmed |
The popular culture x the elite culture in the work "La tia julia y el escribidor" by Mario Vargas Llosa |
| title_sort |
The popular culture x the elite culture in the work "La tia julia y el escribidor" by Mario Vargas Llosa |
| dc.creator.none.fl_str_mv |
Costa, Gustavo |
| author |
Costa, Gustavo |
| author_facet |
Costa, Gustavo |
| author_role |
author |
| dc.subject.por.fl_str_mv |
Culture Latin American literature Mario Vargas Llosa Images. Cultura literatura latino-americana mario vargas llosa imagens. |
| topic |
Culture Latin American literature Mario Vargas Llosa Images. Cultura literatura latino-americana mario vargas llosa imagens. |
| description |
The culture of a nation is seen in different ways. Popular culture encompasses much of the population of a country, now the Internet, on television, on the radio, sometimes the printed media, causing people to identify with the simple and the current. However, with less amplitude, the elite culture is observed being more selective in the privileged social layer, in which people with an intellectual and social level more appreciated develop. In the work La Julia y el tía escribidor, Mario Vargas Llosa observed the two types of culture, popular and elite, each with its own peculiarities. The character Pedro Camacho is an icon that arouses interest in readers , not only for his way of being, that is, for being so obsessive for his work, but also by the fact that he brought the stories from the radio theater from Bolivia to Peru, gaining listeners in the country, getting surprisingly successful . Culture is also connected through images that are observed in places where the story takes place, that is, in the case of this work there are images of a rural and urban Peru, with the reader being able to notice the contrast between the two regions, including meeting some of the acts and life of the residents of each. The love in this work happens through the characters Varguitas and Aunt Julia, both in love with each other and fearful by the fact that the family does not accept them as lovers. The work shows the comedy, love, madness, hard work, family relationships, that is to say, ingredients of the Latin American culture. |
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2016 |
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2016-06-15 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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https://e-revista.unioeste.br/index.php/travessias/article/view/14257 |
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https://e-revista.unioeste.br/index.php/travessias/article/view/14257 |
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por |
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por |
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https://e-revista.unioeste.br/index.php/travessias/article/view/14257/9779 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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Unioeste |
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Unioeste |
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Travessias; Vol. 10 No. 1 (2016); e14257 Travessias; Vol. 10 Núm. 1 (2016); e14257 Travessias; v. 10 n. 1 (2016); e14257 1982-5935 reponame:Travessias (Cascavel. Online) instname:Universidade Estadual do Oeste do Paraná (UNIOESTE) instacron:UNIOESTE |
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Universidade Estadual do Oeste do Paraná (UNIOESTE) |
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revista.travessias@unioeste.br |
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The popular culture x the elite culture in the work "La tia julia y el escribidor" by Mario Vargas LlosaLA CULTURA POPULAR X LA CULTURA ELITE EN LA OBRA“LA TÍA JULIA Y EL ESCRIBIDOR” DE MARIO VARGAS LLOSA.A cultura popular x a cultura elite na obra “La tia julia y el escribidor” de Mario Vargas LlosaCultureLatin American literatureMario Vargas LlosaImages.Culturaliteratura latino-americanamario vargas llosaimagens.The culture of a nation is seen in different ways. Popular culture encompasses much of the population of a country, now the Internet, on television, on the radio, sometimes the printed media, causing people to identify with the simple and the current. However, with less amplitude, the elite culture is observed being more selective in the privileged social layer, in which people with an intellectual and social level more appreciated develop. In the work La Julia y el tía escribidor, Mario Vargas Llosa observed the two types of culture, popular and elite, each with its own peculiarities. The character Pedro Camacho is an icon that arouses interest in readers , not only for his way of being, that is, for being so obsessive for his work, but also by the fact that he brought the stories from the radio theater from Bolivia to Peru, gaining listeners in the country, getting surprisingly successful . Culture is also connected through images that are observed in places where the story takes place, that is, in the case of this work there are images of a rural and urban Peru, with the reader being able to notice the contrast between the two regions, including meeting some of the acts and life of the residents of each. The love in this work happens through the characters Varguitas and Aunt Julia, both in love with each other and fearful by the fact that the family does not accept them as lovers. The work shows the comedy, love, madness, hard work, family relationships, that is to say, ingredients of the Latin American culture.A cultura de um povo é vista de diferentes maneiras. A cultura popular abarca a grande parte da população de um país, ora pela internet, pela televisão, pela rádio, ora pelos meios impressos, fazendo com que as pessoas se identifiquem com o simples e o atual. Entretanto, com menos amplitude, observa-se a cultura elite sendo mais seletiva na camada social privilegiada, na qual pessoas com um nível intelectual e social mais apreciado se desenvolvem. Na obra La tía Julia y el escribidor de Mario Vargas Llosa observa-se os dois tipos de cultura, a popular e a elite, cada uma com suas peculiaridades. O personagem Pedro Camacho é um ícone que desperta interesse nos leitores, não somente por sua maneira de ser, isto é, por ser tão obsessivo por seu trabalho, mas também pelo fato de que trouxe estórias do rádio teatro da Bolívia ao Peru, conquistando os ouvintes do país, logo obtendo um êxito surpreendente. A cultura também está conectada as imagens que se observa nos lugares onde se passa a historia, isto é, no caso desta obra há imagens de um Peru rural e urbano, sendo o leitor capaz de perceber a oposição entre as duas regiões, inclusive conhecendo um pouco mais dos atos e da vida dos residentes de cada uma. O amor presente na obra se da através dos personagens Varguitas e Tia Júlia, ambos apaixonados e temerosos pelo fato de que a família não os aceitará como namorados. A obra mostra a comédia, o amor, a loucura, o trabalho duro, as relações familiares, ou seja, ingredientes da cultura latino-americana.Unioeste2016-06-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/14257Travessias; Vol. 10 No. 1 (2016); e14257Travessias; Vol. 10 Núm. 1 (2016); e14257Travessias; v. 10 n. 1 (2016); e142571982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:UNIOESTEporhttps://e-revista.unioeste.br/index.php/travessias/article/view/14257/9779Copyright (c) 2016 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistainfo:eu-repo/semantics/openAccessCosta, Gustavo2020-12-08T11:37:25Zoai:ojs.e-revista.unioeste.br:article/14257Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2020-12-08T11:37:25Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (UNIOESTE)false |
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