THE CARNIVALIZATION AND THE LAUGHTER BY MIKHAIL BAKHTIN

Often taken in questionable way, usually within the meaning of simple hierarchical inversion, the theory engenders carnivalization fundamental categories for its composition. In this paper we will focus on the categories "laughter" and "mask" and will bring a brie...

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Detalles Bibliográficos
Autor: Soerensen, Claudiana
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2017
País:Brasil
Institución:Universidade Estadual do Oeste do Paraná (UNIOESTE)
Repositorio:Travessias (Cascavel. Online)
Idioma:portugués
OAI Identifier:oai:ojs.e-revista.unioeste.br:article/4370
Acceso en línea:https://e-revista.unioeste.br/index.php/travessias/article/view/4370
Access Level:acceso abierto
Palabra clave:Literatura e Linguística
Descripción
Sumario:Often taken in questionable way, usually within the meaning of simple hierarchical inversion, the theory engenders carnivalization fundamental categories for its composition. In this paper we will focus on the categories "laughter" and "mask" and will bring a brief history of the theory of Mikhail Bakhtin. For the Russian researcher, the carnival was a series of manifestations of popular culture and medieval and Renaissance a rule, organized and coherent understanding of that world when transported to literary works called "carnivalization literature". The Categories laughter and mask are reinterpreted from the reading of the book A Cultura Popular na Idade Média e no Renascimento: o contexto de François Rabelais.

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