Literature, image and intermediality in Catálogo de perdas (2017), by João Anzanello Carrascoza and Juliana Monteiro Carrascoza

In the present paper I discuss the short story "ancinho" and the image that corresponds to a supplement, both integrating the work Catálogo de Perdas (2017), by João Anzanello Carrascoza and Juliana Monteiro Carrascoza, from some operators of intermediality studies (Hutcheon, 2013; Guadrea...

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Detalles Bibliográficos
Autor: Silva, Sandro Adriano da
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2021
País:Brasil
Institución:Universidade Estadual do Oeste do Paraná (UNIOESTE)
Repositorio:Travessias (Cascavel. Online)
Idioma:portugués
OAI Identifier:oai:ojs.e-revista.unioeste.br:article/27778
Acceso en línea:https://e-revista.unioeste.br/index.php/travessias/article/view/27778
Access Level:acceso abierto
Palabra clave:Literature
Intermediality. Catálogo de perdas.
Literatura
Intermidialidade
Catálogo de perdas.
Descripción
Sumario:In the present paper I discuss the short story "ancinho" and the image that corresponds to a supplement, both integrating the work Catálogo de Perdas (2017), by João Anzanello Carrascoza and Juliana Monteiro Carrascoza, from some operators of intermediality studies (Hutcheon, 2013; Guadreault and Marion, 2012; Rajewsky, 2012).  I present a summary description of the image composition, from some concepts of photography (Erhlich, 1986; Berger, 2017), as well as of the narratological elements of the short story (Genette, 2017; Franco Junior, 2009), in order to highlight aspects of the creative and interpretative transposition. Considering a paratextual/epitextual element (Genette, 2009), present at the end of the work, which operates as a kind of subtitle (Carrascoza, 2017) it is possible to hypothesize that the expression material of the adaptation - the different media -, corresponds to a media order of different modes of engagement - telling, showing and interacting (Hutcheon, 2013) and its meaning effects, such as memory and affects.