A morte de James Lee Byars: imagem da (des)aparição de si
This article problematizes the notion of the aesthetics of the disappearance coming from the performance The Death of James Lee Byars (1994). We will begin with the attempt of the figuration of the death of the artist James Lee Byars (1933-1997) to understand his attempt to achieve the perfection of...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/53143 |
| Acceso en línea: | https://doi.org/10.26563/dobras.v11i23.713 http://hdl.handle.net/1843/53143 https://orcid.org/0000-0002-8938-8819 |
| Access Level: | acceso abierto |
| Palabra clave: | Aparição-Desaparição Arte-Moda Dandismo Filosofia Moda |
| Sumario: | This article problematizes the notion of the aesthetics of the disappearance coming from the performance The Death of James Lee Byars (1994). We will begin with the attempt of the figuration of the death of the artist James Lee Byars (1933-1997) to understand his attempt to achieve the perfection of gestures and forms. We want to examine the artist’s search for the essence of the absence-presence: a body that appears and a body that disappears. |
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