Troubadours and Singers in 20th Century Goiás: The Poetry and Songs of Adolfo Mariano
The aim of this article is to analyze poetry and song to assess how the poetic literature produced in the 12th and 14th centuries in the Iberian Peninsula persists in contemporary Brazilian poetry and music. This literature, produced in Western Europe by minstrels and troubadours, has been kept aliv...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade Federal de Uberlândia (UFU) |
| Repositorio: | Letras & letras (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.www.seer.ufu.br:article/70834 |
| Acceso en línea: | https://seer.ufu.br/index.php/letraseletras/article/view/70834 |
| Access Level: | acceso abierto |
| Palabra clave: | Literatura Trovadorismo Canção goiana Adolfo Mariano Persistência Literature Troubadourism Song from Goiás Persistence |
| Sumario: | The aim of this article is to analyze poetry and song to assess how the poetic literature produced in the 12th and 14th centuries in the Iberian Peninsula persists in contemporary Brazilian poetry and music. This literature, produced in Western Europe by minstrels and troubadours, has been kept alive through the memory of the men who came from there, giving rise to literary and musical strands in Brazil. In the 18th and 19th centuries, it migrated from the coast to the interior through the voices of singers. The methodological proposal is based on reading, analysis and bibliographic review with a view to investigating and analyzing Galician-Portuguese troubadour songs and comparing them to the moda de viola Mês de Agosto é tão triste (1942), by singer Adolfo Mariano. The aim is to approach the formal characteristics of the genre and eventually relate it to the literary and musical dynamism of the Iberian and Brazilian tradition. |
|---|