"In the are I set up my swing, in the are I rocked myself": a tribute to Mestre Biu Alexandre's Caboclo de Arubá
The text is a resignification to the Brazilian traditional cultures and their incorporated knowledge, from reports, reflection and reverence to the figure of Caboclo de Arubá, from the Cavalo Marinho Estrela de Ouro of Pernambuco, performed by Mestre Biu Alexandre, who died in July 2022. With a deco...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Recursos: | Universidade Estadual de Campinas (UNICAMP) |
| Repositorio: | Conceição/Conception |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.periodicos.sbu.unicamp.br:article/8671323 |
| Acesso em linha: | https://periodicos.sbu.unicamp.br/ojs/index.php/conce/article/view/8671323 |
| Access Level: | acceso abierto |
| Palavra-chave: | Presencia escénica Decolonialismo Cavallo Marino Scenic presence Decolonialism Cavalo Marinho Presença cênica |
| Resumo: | The text is a resignification to the Brazilian traditional cultures and their incorporated knowledge, from reports, reflection and reverence to the figure of Caboclo de Arubá, from the Cavalo Marinho Estrela de Ouro of Pernambuco, performed by Mestre Biu Alexandre, who died in July 2022. With a decolonial approach, themes such as scenic presence, incantation, spirituality and oral culture are discussed based on Mestre Biu Alexandre's words and on the dialogue with thinkers such as Luiz Rufino, Luiz Antonio Simas and Ailton Krenak. |
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