A sagrada autoridade em El Señor Presidente, de Miguel Ángel Asturias

This work seeks to reflect on the aspects of the myth found in the novel El Señor Presidente, by Miguel Ángel Asturias (1899-1974). Among these aspects we highlight those that, in this context, act directly in the suspension of a common and linear logic of the world conception: the time, the space,...

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Detalles Bibliográficos
Autor: Lara Fagundes Pereira
Tipo de recurso: tesis de maestría
Estado:Versión publicada
Fecha de publicación:2024
País:Brasil
Institución:Universidade Federal de Minas Gerais (UFMG)
Repositorio:Repositório Institucional da UFMG
Idioma:portugués
OAI Identifier:oai:repositorio.ufmg.br:1843/73468
Acceso en línea:http://hdl.handle.net/1843/73468
Access Level:acceso abierto
Palabra clave:Miguel Ángel Asturias
El Señor Presidente
Mito
Asturias, Miguel Ángel, 1889-1974. – Señor presidente – Crítica e interpretação
Ficção guatemalense – História e crítica
Mito na literatura
Espaço e tempo na literatura
Descripción
Sumario:This work seeks to reflect on the aspects of the myth found in the novel El Señor Presidente, by Miguel Ángel Asturias (1899-1974). Among these aspects we highlight those that, in this context, act directly in the suspension of a common and linear logic of the world conception: the time, the space, the rite, the interruptions caused by oneiric or unconscious phenomena and, finally, the figure of the President himself, which is where all the mythical force of the work in question converges. To think about the myth, we will rely, in particular, on the studies of Mircea Eliade (1969, 1972, 1992), as well as the theory of Simões Jorge (1994) and Roger Caillois (1979). In relation to readings of the novel, we will draw on names such as Selena Millares (2000), John Kraniauskas (2000), Jorge Caro (1999), Lucrecia Penedo (2020), Alaide Foppa (1971), Jean-Marie Saint-Lu (2000 ) and Gerald Martin (2000), the latter being the organizer of the critical edition used in this analysis. We seek to understand how these mythical forces operate within the narrative, that is, through which elements it is possible to make such statements, as well as thinking about how the relationship between the myth and the authority expressed therein works.