As rasuras da modernidade na poesia de Sebastião Uchoa Leite
Sebastião Uchoa Leite's work is circumscribed in a field of tension with tradition, which weakens the boundary of limits to whoever seeks to go through a shape of his poetic. The undeniable identification with the modernist masters does not mean the enlargement of such standards; on the contrar...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2006 |
| País: | Brasil |
| Institución: | Universidade Estadual Paulista (UNESP) |
| Repositorio: | Repositório Institucional da UNESP |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.unesp.br:11449/211748 |
| Acceso en línea: | http://dx.doi.org/10.1590/S1517-106X2006000100006 http://hdl.handle.net/11449/211748 |
| Access Level: | acceso abierto |
| Palabra clave: | Sebastião Uchoa Leite contemporary poetry aesthetics modernity poesia contemporânea modernidade estética |
| Sumario: | Sebastião Uchoa Leite's work is circumscribed in a field of tension with tradition, which weakens the boundary of limits to whoever seeks to go through a shape of his poetic. The undeniable identification with the modernist masters does not mean the enlargement of such standards; on the contrary, they are contaminated by the crossing of the most diverse references. The ambiguity comes from the fact that the poet does not put limits in a temporal-spaced territory, nor set defined directions. It is about a hybrid textual project, a crossing one, which the nomad route makes it go through, side by side, the referring speeches of tradition and the contemporary world. |
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