Mapear colectivamente la dictadura argentina y sus restos
This work criticizes the cartographic practices promoted by artistic groups and developed collaboratively. More specifically, this article analyzes an action of the Grupo de Arte Callejero, Aquí viven genocidas (2001-2006): a series of maps of Buenos Aires where the addresses of the genocides are in...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2019 |
| País: | Brasil |
| Recursos: | Universidade Federal de Minas Gerais (UFMG) |
| Repositório: | Pós (Universidade Federal de Minas Gerais. Online) |
| Idioma: | espanhol |
| OAI Identifier: | oai:periodicos.ufmg.br:article/16113 |
| Acesso em linha: | https://periodicos.ufmg.br/index.php/revistapos/article/view/16113 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Práticas colaborativas Cartografias Ditadura argentina Collaborative practices Cartography Argentine dictatorship Prácticas colaborativas Cartografías Dictadura argentina |
| Resumo: | This work criticizes the cartographic practices promoted by artistic groups and developed collaboratively. More specifically, this article analyzes an action of the Grupo de Arte Callejero, Aquí viven genocidas (2001-2006): a series of maps of Buenos Aires where the addresses of the genocides are indicated as "slaves" by different social organizations and issues related to the last Argentine military dictatorship. This cartography was not created in an artist's studio, but in the streets, and based on the proposal of a group, formed by the collaboration between activists, in order to weave networks of affinity and promote alternative practices of justice. |
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