Fissuras do real: desvios da mimese na dramaturgia brasileira contemporânea
From the approach of four theatrical pieces – Apocalipse 1,11 (Teatro da Vertigem),Agreste and Projeto Body Art (by Newton Moreno), and Amores surdos (by Grace Passô) –, we intend to recognize propositions of insertion of deviant elements of the real or the referential of representation in contempor...
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| Format: | article |
| Status: | Published version |
| Publication Date: | 2018 |
| Country: | Brasil |
| Institution: | Universidade Federal de Minas Gerais (UFMG) |
| Repository: | Repositório Institucional da UFMG |
| Language: | Portuguese |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/37724 |
| Online Access: | http://dx.doi.org/10.22409/gragoata.2018n47a1171 http://hdl.handle.net/1843/37724 https://orcid.org/0000-0003-1281-2092 |
| Access Level: | Open access |
| Keyword: | Dramaturgia contemporânea Desvios do real Mimese teatral Literatura dramática Teatro Mimese na arte |
| Summary: | From the approach of four theatrical pieces – Apocalipse 1,11 (Teatro da Vertigem),Agreste and Projeto Body Art (by Newton Moreno), and Amores surdos (by Grace Passô) –, we intend to recognize propositions of insertion of deviant elements of the real or the referential of representation in contemporary theater. In this sense, the works deal, each with a particular poetics, with strange elements that mark deviations of behavior, thus causing a displacement as to the composition of the theatrical mimesis, and approach the perceptions of social reality in its multiple marginalizations and forms of reading. |
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