Feminine clues in Ana Cristina Cesar, Adília Lopes and Nathalie Quintane
This article aims to establish a possible dialogue between the French “post-poet” Nathalie Quintane and the Portuguese poet Adília Lopes with the Brazilian poet Ana Cristina Cesar, in around the polemical and ever-present issue of female writing and possible consequences of a singular lyricism. The...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Real Gabinete Português de Leitura (RGPL) |
| Repositorio: | Convergência Lusíada (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.convergencia.emnuvens.com.br:article/1021 |
| Acceso en línea: | https://www.convergencialusiada.com.br/rcl/article/view/1021 |
| Access Level: | acceso abierto |
| Palabra clave: | Lyricism feminine contemporary Lirismo feminino contemporâneo |
| Sumario: | This article aims to establish a possible dialogue between the French “post-poet” Nathalie Quintane and the Portuguese poet Adília Lopes with the Brazilian poet Ana Cristina Cesar, in around the polemical and ever-present issue of female writing and possible consequences of a singular lyricism. The hypothesis is that the poets, here in question, remodel, each in their own way, the history of lyricism in the feminine, adopting a critical point of view, which breaks all identity or epistemological certainty. Thus, the article also proposes to think about how contemporary lyrical sensibilities circulate and vary from one side of the Atlantic to the other. |
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