Memory exercises: on the reconstruction methods of vanguardist memory in Oswald de Andrade, Jorge Luis Borges, Mário de Andrade and Oliverio Girondo
This article proposes an analysis of a series of texts of Oswald de Andrade, Jorge Luis Borges, Oliverio Girondo and Mario de Andrade referring to avantgarde productions. The analysis aims to investigate the ways in which, from such testimonies, memories and reflections, it has been though...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2010 |
| País: | Brasil |
| Institución: | Universidade do Sul de Santa Catarina (UNISUL) |
| Repositorio: | Crítica Cultural (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:portaldeperiodicos.animaeducacao.com.br:article/211 |
| Acceso en línea: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/211 |
| Access Level: | acceso abierto |
| Palabra clave: | Avant-garde Memory Cultural field Vanguardia Memória Campo cultural |
| Sumario: | This article proposes an analysis of a series of texts of Oswald de Andrade, Jorge Luis Borges, Oliverio Girondo and Mario de Andrade referring to avantgarde productions. The analysis aims to investigate the ways in which, from such testimonies, memories and reflections, it has been thought the literary avant-garde of the twenties in Argentina and Brazil, and placed in their respective cultural fields. |
|---|