The end was in Goiás: rite as a memory of the myth among the military
The study starts from journalistic records on the trajectory of the “Novo Cangaço”, a criminal group led by indigenous from Pernambuco of the Truká ethnicity, and their confrontation with PMGO, to analyze how PMGO recalls the episodes of this confrontation in a Charlie Mike (a military song) during...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Fórum Brasileiro de Segurança Pública (FBSP) |
| Repositorio: | Revista Brasileira de Segurança Pública (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revista.forumseguranca.org.br:article/1318 |
| Acceso en línea: | https://revista.forumseguranca.org.br/rbsp/article/view/1318 |
| Access Level: | acceso abierto |
| Palabra clave: | Instituição militar Formação Militar Mitologia militar Canções militares Military institution Military training Military mythology Military songs |
| Sumario: | The study starts from journalistic records on the trajectory of the “Novo Cangaço”, a criminal group led by indigenous from Pernambuco of the Truká ethnicity, and their confrontation with PMGO, to analyze how PMGO recalls the episodes of this confrontation in a Charlie Mike (a military song) during activity of a police training course. Charlie Mike is considered here as a rite of memorization of military mythology where new classes are presented with an idealized image of military values. |
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