CINE BLASFÊMIA: a narrative of censorship, confrontations and (re) existences
The purpose of this article is to discuss blasphemy as a political strategy of resistance to the regulatory regimes of gender and sexuality. In order to do so, we analyze Cine Blasfêmia, an extensionist activity developed by the Enlace research group of UNEB. It explores the discursive tension prese...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Brasil |
| Institución: | Universidade Federal do Tocantins (UFT) |
| Repositorio: | Revista Observatório |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revista.uft.edu.br:article/4291 |
| Acceso en línea: | https://sistemas.uft.edu.br/periodicos/index.php/observatorio/article/view/4291 |
| Access Level: | acceso abierto |
| Palabra clave: | Cine Blasfêmia State University Gender Jewish-Christian Speech Cine la blasfemia Estado universidad género discurso judeocristiano Gênero Universidade Discurso judaico-cristão Cine blasfêmia |
| Sumario: | The purpose of this article is to discuss blasphemy as a political strategy of resistance to the regulatory regimes of gender and sexuality. In order to do so, we analyze Cine Blasfêmia, an extensionist activity developed by the Enlace research group of UNEB. It explores the discursive tension present in the blasphemous act practiced by academic-political subjects and contested by forged subjects and formed by the Judeo-Christian discourse to understand it in the know-how of science. In addition, we discuss the complex plot of the film "The eccentric family of Antonia", brought into the analysis to highlight the blasphemous and polyphonic debates linked to feminist issues.esumo em língua inglesa de Resumo de 5 a 10 linhas, espaço simples, letra ginsha, tamanho 12. |
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