Narrative Derivation in Television Serial Fiction: Examining spin-offs from Once Upon a Time
We will examine here spin-off works, especially in their textual logics of narrative derivation from parent works. From a poetic and narratological perspective, we emphasize intertextual operations, as well as the pragmatics that articulate the relationships between textual structures and reading ho...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Associação Nacional dos Programas de Pós-Graduação em Comunicação |
| Repositorio: | E-Compós |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.www.e-compos.org.br:article/2945 |
| Acceso en línea: | https://www.e-compos.org.br/e-compos/article/view/2945 |
| Access Level: | acceso abierto |
| Palabra clave: | Spin-Off Ficção seriada televisiva Derivação Narrativa Cânone Once Upon a Time Television serial fiction Narrative Derivation Canon Ficción serial televisiva Derivación narrativa |
| Sumario: | We will examine here spin-off works, especially in their textual logics of narrative derivation from parent works. From a poetic and narratological perspective, we emphasize intertextual operations, as well as the pragmatics that articulate the relationships between textual structures and reading horizons of these works. In the analysis of these products, we value the dialectic between “vagueness” and “coherence”: in the first, we identify what the master works hide as potential for intrigue; in the second, we identify the anchoring of derivative works to the parent works. We analyze how these textual derivation strategies work in the first season of Once Upon a Time. |
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