Vontade e dionisíaco em O nascimento da tragédia de Nietzsche
The dionysiac concept is as basic as the true novelty of the sight philosophical, aesthetic and philological of Nietzsche on the Greeks and the tragic art. The Birth of Tragedy is written under the shadow of the vocabulary and the metaphysics of Schopenhauer, and also a very close relationship with...
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| Tipo de recurso: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2010 |
| País: | Brasil |
| Institución: | Universidade Estadual do Oeste do Paraná (UNIOESTE) |
| Repositorio: | Biblioteca Digital de Teses e Dissertações do UNIOESTE |
| Idioma: | portugués |
| OAI Identifier: | oai:tede.unioeste.br:tede/2108 |
| Acceso en línea: | http://tede.unioeste.br:8080/tede/handle/tede/2108 |
| Access Level: | acceso abierto |
| Palabra clave: | Nietzsche Schopenhauer Vontade Dionisíaco Trágico Metafísica de artista Will Dionysiac Tragic Artist s metaphysics CIENCIAS HUMANAS::FILOSOFIA |
| Sumario: | The dionysiac concept is as basic as the true novelty of the sight philosophical, aesthetic and philological of Nietzsche on the Greeks and the tragic art. The Birth of Tragedy is written under the shadow of the vocabulary and the metaphysics of Schopenhauer, and also a very close relationship with the aesthetic and metaphysical themes of German philosophy. This work (dissertation) demonstrates the genesis of the Nietzschean dionysiac through a dialogue with the notion of Will in the inaugural work of Nietzsche. If at first the notions of will and dionysiac seem to enter the Nietzschean discourse in the conceptual domains of Schopenhauer and romantism, shortly afterwards, by the uniqueness that the terms acquire in Nietzsche, become key devices for the formation of a new perspective tragic and assertion of existence. The art, relegated to the status of illusion or contemplation of the Idea, is reinserted as the creation and justification of coming-to-be. |
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