“Cuelgan racimos de ángeles, que enrizan”: notes on a Lope de Vega’s sonnet in Agudeza y arte de ingenio (1648), of Baltasar Gracián
In the course of the XVII century, named Silo de Oro by the Spanish literary critic, two preceptive were fundamental to the systematization of the wit and the concept: Arte de ingenio, tratado de la agudeza (1642) y la Agudeza y arte de ingenio (1648), by Baltasar Gracián. In these, the spanish rhe...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | Caracol (São Paulo. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:revistas.usp.br:article/194039 |
| Acceso en línea: | https://www.revistas.usp.br/caracol/article/view/194039 |
| Access Level: | acceso abierto |
| Palabra clave: | Agudeza Rimas Baltasar Gracián Lope de Vega Wit |
| Sumario: | In the course of the XVII century, named Silo de Oro by the Spanish literary critic, two preceptive were fundamental to the systematization of the wit and the concept: Arte de ingenio, tratado de la agudeza (1642) y la Agudeza y arte de ingenio (1648), by Baltasar Gracián. In these, the spanish rhetor, by using the ancient and contemporary poets, establishes the taxonomy of the wit, the species and divisions. In a list of cited authors, we find a number of Lope de Vega`s poems. In this paper, we seek to comment and analyse one poet’s sonet in the 1648 Gracián’s tratase. |
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