An analysis of the dramaturgical devices in Clothes for a Summer Hotel by Tennessee Williams
This article analyzed Tennessee Williams' Clothes for Summer Hotel – A Ghost Play, framing it as Pop Art dramaturgy. It explored the fragmentation of dialogues, actions, and the post-dramatic approach to time and space. It investigated these expressionist elements that reinforce its antirealist...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2023 |
| País: | Brasil |
| Institución: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositorio: | Urdimento (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai::article/24200 |
| Acceso en línea: | https://www.revistas.udesc.br/index.php/urdimento/article/view/24200 |
| Access Level: | acceso abierto |
| Palabra clave: | dramaturgia teatro Tennessee Williams crítica social dramaturgy theatre social criticism drmaturgia critica social |
| Sumario: | This article analyzed Tennessee Williams' Clothes for Summer Hotel – A Ghost Play, framing it as Pop Art dramaturgy. It explored the fragmentation of dialogues, actions, and the post-dramatic approach to time and space. It investigated these expressionist elements that reinforce its antirealistic character, challenging stigmas by portraying Zelda as a character transcending temporal reality, memory, and dream. Williams confronts dramatic narratives, providing an uncomfortable perspective to traditional standards of psychological realism associated with his work, offering an alternative interpretation. |
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