Gesto à forja: desenhos da dança em mediações
From the ontological reflection of Agamben (1992) we realize that gesture relates to making visible a means as such it, to expose mediality itself; it’s facing this starting point that we propose a discussion between gesture and dance, a relantionship that in an artistic perspective, will be forged...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Brasil |
| Recursos: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/38105 |
| Acesso em linha: | https://doi.org/10.9771/r.v0i28.25007 http://hdl.handle.net/1843/38105 |
| Access Level: | acceso abierto |
| Palavra-chave: | Gesto Improvisação Dança Mediação Medialidade Kinect Improvisação (Dança) Gestos Linguagem corporal Performance (Arte) |
| Resumo: | From the ontological reflection of Agamben (1992) we realize that gesture relates to making visible a means as such it, to expose mediality itself; it’s facing this starting point that we propose a discussion between gesture and dance, a relantionship that in an artistic perspective, will be forged by technological devices. The concepts of the corporeity and the alterity, by Bernard (2006), will also be aprroched, in connection with the notion of improvisation in dance and grounding articulations with an experience of motions captured by Kinect. The frames originated as traces of the body in space, are thus the medium from which we can reflect on the relations proposed here. |
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