Noites alienígenas: entre o fantástico e o ordinário na antropologia especulativa do cinema acreano
This article analyzes the film Alien Nights (Sérgio de Carvalho 2022) based on Juan José Saer’s proposition of ficcion as a “speculative anthropology”. The analysis approach the making of autochthonous and alien alterities by the discussion of imagetic and narrative construction of Rio Branco – cons...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | GIS - Gesto, Imagem e Som - Revista de Antropologia |
| Idioma: | portugués inglés |
| OAI Identifier: | oai:revistas.usp.br:article/214912 |
| Acceso en línea: | https://revistas.usp.br/gis/article/view/214912 |
| Access Level: | acceso abierto |
| Palabra clave: | Speculative anthropology Anthropology of cinema Acrean cinema Urban violence Youth Antropologia especulativa Antropologia e cinema Cinema acreano Violência urbana Juventude |
| Sumario: | This article analyzes the film Alien Nights (Sérgio de Carvalho 2022) based on Juan José Saer’s proposition of ficcion as a “speculative anthropology”. The analysis approach the making of autochthonous and alien alterities by the discussion of imagetic and narrative construction of Rio Branco – considering the city as a central character of the movie – and of the other characters of the film, considering Michael Taussig and Tzvetan Todorov; the relation between ways of life, violence and the ordinary, in a dialogue with Veena Das and Donna Haraway; and the copoiesis of masculinities, femininities and kinship which engenders ways of inhabiting the world and staying with the trouble. |
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