Impressões: experimentações com gravura em livros de artista e fanzines
The objective of this research is to reflect on the experimentation of my artistic practices in engraving that fundamentally involve the stage of printing. The material studied is the construction of artist's books and fanzines, from the possibilities of reproduction of the image, such as woodc...
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| Formato: | tesis doctoral |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Brasil |
| Recursos: | Universidade Federal de Goiás (UFG) |
| Repositorio: | Repositório Institucional da UFG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.bc.ufg.br:tede/9141 |
| Acesso em linha: | http://repositorio.bc.ufg.br/tede/handle/tede/9141 |
| Access Level: | acceso abierto |
| Palavra-chave: | Impressões Gravura Experimentação Livro de artista Fanzine Engraving Experimentation Book of artist Impressions ARTES PLASTICAS::GRAVURA |
| Resumo: | The objective of this research is to reflect on the experimentation of my artistic practices in engraving that fundamentally involve the stage of printing. The material studied is the construction of artist's books and fanzines, from the possibilities of reproduction of the image, such as woodcut, calcogravura, xerogravura, serigrafia, stencil, monotype, stamps, engraving with the use of plastic matrices and other alternative materials; investigate different types of printing, such as, offset, photocopy, image transfer, digital engraving and plots, as well as alternative techniques using plastic matrices and collages. Therefore the engraving appears as an interlocutor of the possible dialogues, being in the middle of the experiments through techniques treated in this research as matrices for reproduction and creation of new matrices, in a process of comings and goings that walks by the diversity of techniques and that proposes experiments with new matrices and also with traditional engraving techniques. |
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