Céline’s discomposures: authorial acting and theatricality in public space
Based on Jérôme Meizoz’s considerations about the concept of author’s posture, this paper aims to analyse the authorial acting undertaken by Louis-Ferdinand Céline notably in the scope of interviews public space, referring to its spillover in his literary works. Emphasis will be placed on an odd ret...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Brasil |
| Institución: | Universidade do Estado do Rio de Janeiro (UERJ) |
| Repositorio: | Matraga (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.www.e-publicacoes.uerj.br:article/29550 |
| Acceso en línea: | https://www.e-publicacoes.uerj.br/matraga/article/view/29550 |
| Access Level: | acceso abierto |
| Palabra clave: | Louis-Ferdinand Céline. Interviews. Author’s posture. Authorial acting. Public space. Louis-Ferdinand Céline. Entrevistas. Postura de autor. Encenação autoral. Espaço público. |
| Sumario: | Based on Jérôme Meizoz’s considerations about the concept of author’s posture, this paper aims to analyse the authorial acting undertaken by Louis-Ferdinand Céline notably in the scope of interviews public space, referring to its spillover in his literary works. Emphasis will be placed on an odd retroactive effect observed by Meizoz, in which author’s persona featuring in his works seems to determine the writer’s behaviour as a civil instance. Such reshuffle of authorial instances would have a fundamental role in the creation of Céline’s personal mythology marked by a self-denial movement. ---DOI: http://dx.doi.org/10.12957/matraga.2017.29550 |
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