La referencialidad despótica y la liberación retórica: una lectura de fotografías de Sebastião Salgado
This essay analyses two photographs of Brasilian Northeastern children, from the work Terra ("Land"), by Sebastião Salgado. Based on Roland Barthes's concepts developed in Câmara Clara, the essay intends to find out how these images go beyond the purely documen- tal aspect. In order t...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2001 |
| País: | Brasil |
| Recursos: | Universidade de São Paulo (USP) |
| Repositorio: | Significação (Online) |
| Idioma: | español |
| OAI Identifier: | oai:revistas.usp.br:article/65535 |
| Acesso em linha: | https://www.revistas.usp.br/significacao/article/view/65535 |
| Access Level: | acceso abierto |
| Palavra-chave: | Image Photography Mythical Documental Sight/gaze. Fotografía Mítico Visión. |
| Resumo: | This essay analyses two photographs of Brasilian Northeastern children, from the work Terra ("Land"), by Sebastião Salgado. Based on Roland Barthes's concepts developed in Câmara Clara, the essay intends to find out how these images go beyond the purely documen- tal aspect. In order to reach this objective, the study interacts wich G.Ramos's and Jorge Luís Borges's texts. |
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