Similarities between Erwin Piscator procedures and acting dramaturgical creation processes
This essay presents an analysis of the procedures adopted by the german director Erwin Piscator in the adaptive processes of the plays Rasputín (1927) and The Adventures of the Good Soldier Schweik (1927). The procedures employed by Erwin Piscator can be regarded as pioneers of the actor's dram...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade do Estado de Santa Catarina (UDESC) |
| Repositorio: | DAPesquisa |
| Idioma: | portugués |
| OAI Identifier: | oai::article/17272 |
| Acceso en línea: | https://periodicos.udesc.br/index.php/dapesquisa/article/view/17272 |
| Access Level: | acceso abierto |
| Palabra clave: | Teatro. Procesos de creación dramatúrgica actorales. Erwing Piscator. Teatro alemão Piscator, Erwin, 1893-1966 Teatro (Literatura) - Técnica Criação (Literária, artística, etc.) na arte |
| Sumario: | This essay presents an analysis of the procedures adopted by the german director Erwin Piscator in the adaptive processes of the plays Rasputín (1927) and The Adventures of the Good Soldier Schweik (1927). The procedures employed by Erwin Piscator can be regarded as pioneers of the actor's dramaturgical creation processes developed by contemporaneous authors, but from the director's viewpoint. |
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