THE CONCEPT OF DEVELOPING VARIATION IN THE FIRST MOVEMENT OF THE PIANO SONATA OP.2/1 BY BEETHOVEN
This paper presents an analysis of the relationships among the several themes and motives introduced in the exposition section of the first movement of the Piano Sonata op.2/1, by Beethoven, from the perspective of developing variation, a concept created by Arnold Schoenberg. Beethoven´s economy is...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2009 |
| País: | Brasil |
| Institución: | Universidade Federal de Goiás (UFG) |
| Repositorio: | Revista Música Hodie (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistas.ufg.br:article/6015 |
| Acceso en línea: | https://revistas.ufg.br/musica/article/view/6015 |
| Access Level: | acceso abierto |
| Sumario: | This paper presents an analysis of the relationships among the several themes and motives introduced in the exposition section of the first movement of the Piano Sonata op.2/1, by Beethoven, from the perspective of developing variation, a concept created by Arnold Schoenberg. Beethoven´s economy is especially remarkable in the thematic elaboration process, which is almost totally derived from the primordial idea of the piece (or, in Schoeberguian terms, its Grundgestalt) presented in the first two measures. The present study has as theoretical references Réti (1978), Schoenberg (1984), Frisch (1984) e Haimo (1997). Keywords: Beethoven, Sonata op.2/1, Developing variation, Grundgestalt. |
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