The Configuration of the Historiographical Narrative in the Writing of Eduardo Galeano
In this article we aim to demonstrate how Eduardo Galeano configures his narrative, adapting it to the demands of historiography. We proceed to a formal and content analysis, investigating the way the Uruguayan writer, in his text “La reconquista de Brasil”, from the work Memoria del fuego (2010), c...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Brasil |
| Institución: | Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL) |
| Repositorio: | Revista da ANPOLL (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistadaanpoll.emnuvens.com.br:article/1310 |
| Acceso en línea: | https://revistadaanpoll.emnuvens.com.br/revista/article/view/1310 |
| Access Level: | acceso abierto |
| Palabra clave: | Theory of History Theory of Literature Narrative Eduardo Galeano Teoria da História Teoria da Literatura Narrativa |
| Sumario: | In this article we aim to demonstrate how Eduardo Galeano configures his narrative, adapting it to the demands of historiography. We proceed to a formal and content analysis, investigating the way the Uruguayan writer, in his text “La reconquista de Brasil”, from the work Memoria del fuego (2010), can meet the imperatives of historiographic making, such as the dating of facts, the documentary register, the critique of the sources, the historical agents and the objectivity of the language. The results of the analysis revealed that Galeano composes another narrative perspective to approach the 1964 Military Coup in Brazil. In this sense, we conclude that the way Galeano composes his text can be seen as a historiographical narrative that does not deviate from the theory of literature, but adds its methodology. |
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