Glauber Rocha e Hiroshima mon amour: notas sobre um amor eclipsado
This paper reexamines the critical reception of Hiroshima mon amour by Glauber Rocha, who consecrated two specific articles to it in 1960-61, and left a lot of references to the film or to Resnais in thirty other texts (on other subjects), basically in the 1960s, but also later. In this journey, we...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade de São Paulo (USP) |
| Repositorio: | Literatura e Sociedade (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:revistas.usp.br:article/177039 |
| Acceso en línea: | https://revistas.usp.br/ls/article/view/177039 |
| Access Level: | acceso abierto |
| Palabra clave: | Hiroshima mon amour Glauber Rocha Alain Resnais Modern cinema Cinema moderno |
| Sumario: | This paper reexamines the critical reception of Hiroshima mon amour by Glauber Rocha, who consecrated two specific articles to it in 1960-61, and left a lot of references to the film or to Resnais in thirty other texts (on other subjects), basically in the 1960s, but also later. In this journey, we discuss the enthusiasm with which Rocha welcomes the film when it was released in Brazil, but which seems to weaken over the years, in a gradual eclipse of which the most significant symptom is the absence of those two articles in the summary of O Século do Cinema (1983), his book on world cinema prepared before death and published posthumously. |
|---|