Perspectives on race, gender, and class in the world of work in the series As Five
This proposal discusses how the series As Five, from Globoplay, addresses gender, class, and race in the world of work. To understand this articulation, the concepts of consubstantiality and coextensivity are used as theoretical operators. The technique of Addressing Modes is used as an analytical t...
| Autores: | , , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Associação Nacional dos Programas de Pós-Graduação em Comunicação |
| Repositorio: | E-Compós |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.www.e-compos.org.br:article/3051 |
| Acceso en línea: | https://www.e-compos.org.br/e-compos/article/view/3051 |
| Access Level: | acceso abierto |
| Palabra clave: | Consubstancialidade Divisão sexual do trabalho Ficção seriada Globoplay As Five Consubstantiality Sexual division of labour Serial fiction Consubstancialidad División sexual del trabajo Ficción serializada |
| Sumario: | This proposal discusses how the series As Five, from Globoplay, addresses gender, class, and race in the world of work. To understand this articulation, the concepts of consubstantiality and coextensivity are used as theoretical operators. The technique of Addressing Modes is used as an analytical tool to uncover the intentions of the producers of audiovisual texts and the negotiations between subject/viewer. The study shows that the series contributes to the advances in women's rights, still marked by wide social inequality that can be intensified depending on the intersection between different identity categories. |
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