To Live in the Alhambra Women in the Nasrid and Christian Alhambra
The female presence in the Alhambra has been usually hidden both by the potency of the monumental set itself and by the fact that traditional sources have systematically made it invisible. Step by step, the need to include gender as a fundamental element to fully understand historical processes, and...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Brasil |
| Recursos: | Centro Universitário La Salle (Unilasalle) |
| Repositorio: | Mouseion (Canoas) |
| Idioma: | español |
| OAI Identifier: | oai:ojs.revistas.unilasalle.edu.br:article/4696 |
| Acesso em linha: | https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4696 |
| Access Level: | acceso abierto |
| Palavra-chave: | Gender Women Architecture Academic feminism Alhambra Género Mujeres Arquitectura Feminismo académico Gênero Mulheres Arquitetura Feminismo acadêmico |
| Resumo: | The female presence in the Alhambra has been usually hidden both by the potency of the monumental set itself and by the fact that traditional sources have systematically made it invisible. Step by step, the need to include gender as a fundamental element to fully understand historical processes, and also to interpret the uses of buildings, is being recognized. This article tries to contextualize the spaces of the Alhambra in a female point of view, identifying those that traditionally have been assigned but not only. The article tries to vindicate in front of the object woman, identified with the romantic image of captive princess sighing for her beloved, or dilettante wife lying between cushions, to the subject woman. Because in the Alhambra lived intelligent sultanas, cultivated musicians, statesmen queens, potters, and midwives. And because in the Alhambra there are actually women who document, restore, catalogue, take care for, disseminate, clean, guide, explain and protect the palatine city as a vital space in which, at least, half of all are women. |
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