Spoken poetry: an analysis of the dramatization of the poem“O amor bate naaorta”, by Carlos Drummond de Andrade
This paper proposes to reflect on intersections between speech and writing, under de perspective of orality studies and discursive semiotics (BARROS, 2015; HILGERT, 2020; KOCH and OESTERREICHER, 2013), based on a video interpretation of the poem “O amor bate na aorta” (ANDRADE, 1934/2012), led by Dr...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Recursos: | Universidade Federal de Santa Maria (UFSM) |
| Repositorio: | Letras (Santa Maria. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/68056 |
| Acesso em linha: | https://periodicos.ufsm.br/letras/article/view/68056 |
| Access Level: | acceso abierto |
| Palavra-chave: | Oralidade Escrituralidade Semiótica discursiva Vídeo-poema Orality Scripturality Discursive semiotics Video poem |
| Resumo: | This paper proposes to reflect on intersections between speech and writing, under de perspective of orality studies and discursive semiotics (BARROS, 2015; HILGERT, 2020; KOCH and OESTERREICHER, 2013), based on a video interpretation of the poem “O amor bate na aorta” (ANDRADE, 1934/2012), led by Drica Moraes. We seek to reach, through the discursive level of the content plane and the expression plane in general, the effects of speech or writing inscribed in the studied video-poem, since it is in these levels of semiotic analysis that are inserted questions related to scripturality and orality of a text (BARROS, 2000). |
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