Where does the song come from?: a question that poetry does not silence
This paper intends to analyze Brazilian musician Lenine’s song called “De onde vem a canção”, as a cultural and aesthetic product that is born from the consonance between verbal and musical discourse, considering the lyrics in its interface with melody and piece’s musical instance constitutive eleme...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2015 |
| País: | Brasil |
| Institución: | Universidade Federal de Santa Maria (UFSM) |
| Repositorio: | Letras (Santa Maria. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.pkp.sfu.ca:article/23557 |
| Acceso en línea: | https://periodicos.ufsm.br/letras/article/view/23557 |
| Access Level: | acceso abierto |
| Palabra clave: | Song Poetry Popular Brazilian music Lenine Canção Poesia Música popular brasileira |
| Sumario: | This paper intends to analyze Brazilian musician Lenine’s song called “De onde vem a canção”, as a cultural and aesthetic product that is born from the consonance between verbal and musical discourse, considering the lyrics in its interface with melody and piece’s musical instance constitutive elements. On this way, we defend, with Luiz Tatit (1995), that the songwriter is an artist species that balances melody into text and text into melody, seeking, in our case, manners of answering a founding and distressing question, such as “who we are?” and “where we came from?” |
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