MULHERES QUE OLHAM: O CONTROLE DO ATO DE VER E SER VISTO
In this article, I analyze the act of female photographers portraying men. I start with the photography related to passion for the people being photographed, and I question the twofold logic artist-man / woman-model by bringing the cases of Tina Modotti, Lee Miller and Gerda Taro – women from the 20...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2016 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Pós (Universidade Federal de Minas Gerais. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/15788 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/revistapos/article/view/15788 |
| Access Level: | acceso abierto |
| Palabra clave: | Fotografia Retrato Gênero Photography Portrait Gender |
| Sumario: | In this article, I analyze the act of female photographers portraying men. I start with the photography related to passion for the people being photographed, and I question the twofold logic artist-man / woman-model by bringing the cases of Tina Modotti, Lee Miller and Gerda Taro – women from the 20th century who were partners of photographers and produced portraits of them. As a contemporary example, I bring forth the work of Sally Mann, a photographer who talks about the importance of gender in the matter of taking portraits. |
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