On Spetacle: Critique And System In Debord’s Work
This paper aims to examine the nature of the situationist concept of spectacle, especially by separating it into its philosophical elements, in order to check the effectiveness, from a systematic point of view, of situationism’s radical critique. In doing so, the main focus of our attention will be...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2014 |
| País: | Brasil |
| Institución: | Universidade Federal da Paraíba (UFPB) |
| Repositorio: | Aufklärung (João Pessoa. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufpb.br:article/19870 |
| Acceso en línea: | https://periodicos.ufpb.br/index.php/arf/article/view/19870 |
| Access Level: | acceso abierto |
| Palabra clave: | Crítica Espectáculo Guy Debord Sistema A Teoria do Espectáculo de Guy Debord Critique Spectacle and System History of philosophy |
| Sumario: | This paper aims to examine the nature of the situationist concept of spectacle, especially by separating it into its philosophical elements, in order to check the effectiveness, from a systematic point of view, of situationism’s radical critique. In doing so, the main focus of our attention will be Debord’s major theoretical work: Society of the Spectacle. In fact, the concept of spectacle, repeatedly evoked in other writings, has its most far-reaching version in that small but great book, whose first edition was published in 1967. |
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