As ceramistas e a arqueóloga: a argila na construção de corpos distintos
In this article, guided by experienced ceramists, I was able to delve into the pottery productive universe, not only observing these ceramist women, but thinking with my hands. This commitment to learning a motor skill has allowed new questions to surface, modifying my point of view regarding the ar...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/76386 |
| Acceso en línea: | https://doi.org/10.18224/hab.v16i1.6073 http://hdl.handle.net/1843/76386 |
| Access Level: | acceso abierto |
| Palabra clave: | Cerâmica Arqueologia Olarias |
| Sumario: | In this article, guided by experienced ceramists, I was able to delve into the pottery productive universe, not only observing these ceramist women, but thinking with my hands. This commitment to learning a motor skill has allowed new questions to surface, modifying my point of view regarding the artifact. As in the productive process that I have been learning, this text has come and go, and these retakes have been part of its modeling process, of my own learning process. And so, it may seem overly intersubjective, because it approaches frontier paradigms. Focusing on the gestures, the production of the text also gave the groping, with the body being the guide on the way. The gesture is pure ubiquity, being at the same time intellectual and material denotes the know-how itself; or rather, more than that, it allows the doing-being because in building the materiality develops at the same time, the identity. As Leroi-Gourhan (1965, p. 44) said long time before, "it is in what produces or does, not in what is, what a human hand manifest itself as such". |
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